It puts into perspective just how skilled Case was. With Bobby, we see the familiar terminology that we’ve learned from our time with Case, although now it’s through the eyes of a rookie. The Loa gods and their cryptic machinations begin to play out, a plan decades in the making which only now is starting to fall into place. Here, Gibson begins to craft occult themes within the novel. They’ve witnessed the appearance of “Voodoo Gods” within the Matrix. He soon runs into a group who are aware of changes within cyberspace. Knowing that whoever owned that database will be honing in on his last known position quick. We can only hope that we might see Gibson’s work come to the big screen in the cyberpunk future.Īfter the failed infiltration, Bobby is quickly tries to put distance between him and his home. Although without a Neuromancer film, it Count Zero will languish in Development Hell. The increase in action from Neuromancer to Count Zero would make for far easier translation to film. Perhaps that’s why Micheal Mann, director of such films as Heat, Collateral and Public Enemies, purchased the rights to Count Zero. It’s through Turner’s perspective that we see a more action-focused story play out. These soldiers of fortune are incredibly disciplined and have a lack of morals which makes them highly sought after by the megacorporations of the Sprawl. This is a dangerous world of corporate espionage where men like Turner are hired to commit these illegal acts for a high price. His is a different world left unexplored within Gibson’s debut novel. Turner is an interesting character to see within the world of the Sprawl.

Angie is not just a normal girl, and this is far from a routine job. It soon becomes clear that there is more at stake than he could’ve first anticipated. He’s left with Angie Mitchell, the daughter of the man who he was arranged to collect. Things take a bad turn quickly, and Turner needs to improvise.

Count zero novel